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All posts by : Amalia Spiliakou

Golden Bees, Treasure of Childeric I

The Treasure of Childeric I

July 13, 2024
by Amalia Spiliakou ArchaeologyEarly Christian ArtFrench ArtMedieval ArtTeaching Resources

Childeric I’s golden bees — stolen, partially lost, yet immortalized on Napoleon’s coronation robe — connect a 5th-century Frankish king to France’s grandest imperial ambitions and enduring national identity.

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Thaleia Flora Karavia, Girl on the Beach

Girl on the Beach by Thaleia Flora Karavia

July 8, 2024
by Amalia Spiliakou 20th century ArtModern Greek ArtTeaching Resources

Thaleia Flora Karavia — war artist, impressionist, trailblazer — captured Greek life with extraordinary sensitivity, from sun-drenched beach scenes to the deeply human face of wartime suffering.

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White Flag

July 3, 2024
by Amalia Spiliakou 20th century ArtAmerican ArtTeaching Resources

Johns’ ghostly White Flag drains America’s iconic symbol of colour and certainty — transforming patriotic familiarity into profound, haunting ambiguity through encaustic’s extraordinarily rich, layered touch.

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Colegiata de San Isidoro, León, Spain

Royal Pantheon of San Isidoro

June 30, 2024
by Amalia Spiliakou Medieval ArtTeaching Resources

León’s Royal Pantheon — the Sistine Chapel of Romanesque art — dazzles with 12th-century frescoes where biblical majesty and twelve vivid months of medieval agricultural life beautifully coexist.

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Paul Signac, Venice, the Yellow Sail, 1904

The Yellow Sail

June 25, 2024
by Amalia Spiliakou 20th century ArtFrench ArtPost-ImpressionismTeaching Resources

Signac’s Venice, the Yellow Sail — a luminous Pointillist masterpiece — captures the Adriatic city’s shimmering magic through vibrant dots of pure colour, radiant light, and Mediterranean joy.

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Mariano Fortuny y Madrazo, Knossos Veil

The Knossos Veil

June 20, 2024
by Amalia Spiliakou 20th century ArtArt NouveauTeaching Resources

Fortuny’s Knossos Veil — ancient Greece reimagined in luminous silk — bridges Minoan fresco and Venetian haute couture, a timeless masterpiece born from one extraordinary couple’s shared artistic vision.

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Paolo Veronese, Portrait of Iseppo da Porto and his son Adriano

Count Issepo da Porto and his son Adriano

June 15, 2024
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Veronese’s paired portraits of the da Porto family — father and son, mother and daughter — capture Renaissance nobility’s tender bonds, proud lineage, and timeless parental love with extraordinary elegance.

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Byzantine Ivory Casket with Mythological and Combat Scenes

Byzantine Ivory Caskets

June 11, 2024
by Amalia Spiliakou Byzantine ArtMedieval ArtTeaching Resources

The Musée de Cluny’s Byzantine ivory casket — Heracles, mythological battles, and chariot races exquisitely carved — bridges classical antiquity and medieval Byzantine aristocratic splendour magnificently.

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Lion from a grave monument, Paul and Alexandra Canellopoulos Museum, Athens, Greece

Lion from a Grave Monument in the Canellopoulos Museum

June 8, 2024
by Amalia Spiliakou Ancient Greek ArtArchaeologyTeaching Resources

Two marble lions — one intimate, one monumental — guard the memory of ancient Greece’s fallen heroes, where the Battle of Chaeronea forever changed the course of Western civilization.

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Francisco de Goya y Lucientes, An Avenue in Andalusia or The Maja and the Cloaked Men Tapestry (detail)

The Cathedral of Santiago de Compostela and the Goya Tapestries

June 4, 2024
by Amalia Spiliakou 18th century ArtTeaching Resources

Goya’s vibrant tapestries — Andalusian majas, cloaked men, playing boys — bring 18th-century Spanish life gloriously alive within Santiago de Compostela Cathedral’s sacred, magnificent walls.

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