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All posts by : Amalia Spiliakou

Paolo Veronese, Portrait of Iseppo da Porto and his son Adriano

Count Issepo da Porto and his son Adriano

June 15, 2024
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Veronese’s paired portraits of the da Porto family — father and son, mother and daughter — capture Renaissance nobility’s tender bonds, proud lineage, and timeless parental love with extraordinary elegance.

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Byzantine Ivory Casket with Mythological and Combat Scenes

Byzantine Ivory Caskets

June 11, 2024
by Amalia Spiliakou Byzantine ArtMedieval ArtTeaching Resources

The Musée de Cluny’s Byzantine ivory casket — Heracles, mythological battles, and chariot races exquisitely carved — bridges classical antiquity and medieval Byzantine aristocratic splendour magnificently.

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Lion from a grave monument, Paul and Alexandra Canellopoulos Museum, Athens, Greece

Lion from a Grave Monument in the Canellopoulos Museum

June 8, 2024
by Amalia Spiliakou Ancient Greek ArtArchaeologyTeaching Resources

Two marble lions — one intimate, one monumental — guard the memory of ancient Greece’s fallen heroes, where the Battle of Chaeronea forever changed the course of Western civilization.

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Francisco de Goya y Lucientes, An Avenue in Andalusia or The Maja and the Cloaked Men Tapestry (detail)

The Cathedral of Santiago de Compostela and the Goya Tapestries

June 4, 2024
by Amalia Spiliakou 18th century ArtTeaching Resources

Goya’s vibrant tapestries — Andalusian majas, cloaked men, playing boys — bring 18th-century Spanish life gloriously alive within Santiago de Compostela Cathedral’s sacred, magnificent walls.

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Luca della Robbia, Labours of the Months: June

The Labours of the Months by Luca della Robbia

May 31, 2024
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Luca della Robbia’s twelve glazed terracotta roundels — crafted for Piero de’ Medici’s intimate studietto — celebrate each month’s labour with exquisite Renaissance artistry, now treasured at the V&A.

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Cave of Altamira, Paleolithic Cave Art

The Cave of Altamira

May 25, 2024
by Amalia Spiliakou ArchaeologyPrehistoric ArtTeaching Resources

Eight-year-old María’s upward glance revealed Altamira’s breathtaking prehistoric bison — humanity’s earliest artistic masterpieces, painted 20,000 years ago on northern Spain’s extraordinary cave ceiling.

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Homilies of Gregory of Nazianzus, Constantine and the Battle of the Milvian Bridge

Constantine the Great

May 20, 2024
by Amalia Spiliakou Byzantine ArtMedieval ArtTeaching Resources

A luminous 9th-century Byzantine manuscript captures Constantine’s miraculous vision — In Hoc Signo Vinces — where divine light, imperial power, and Christianity’s extraordinary destiny dramatically converge.

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Attributed to El Greco - Domenikos Theotokopoulos, Pandora and Epimetheus statues

Pandora and Epimetheus

May 17, 2024
by Amalia Spiliakou Renaissance ArtTeaching Resources

El Greco’s rare sculptural Pandora and Epimetheus — elongated, spiritually charged — embody mythology’s most haunting cautionary tale, where divine punishment, human curiosity, and Hope eternally converge.

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Gustav Klimt, The Three Ages of the Woman

The Three Ages of the Woman

May 12, 2024
by Amalia Spiliakou 20th century ArtArt NouveauTeaching Resources

Klimt’s Three Ages of Woman — infant, mother, and bowed elder — weaves gold, symbolism, and tender mortality into one profoundly beautiful, timelessly resonant allegorical masterpiece.

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Head of Goddess Tyche (Fortune) with a mural crown, the personification of the city of Corinth

Head of Goddess Tyche from Corinth

May 7, 2024
by Amalia Spiliakou Ancient Greek ArtRoman ArtTeaching Resources

Corinth’s magnificent marble Tyche — fortune’s goddess crowned with city walls — embodies Rome’s profound belief that divine favour, civic destiny, and human prosperity are eternally intertwined.

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