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All posts by : Amalia Spiliakou

The Lilies of the Valley Fabergé Egg

The Lilies of the Valley Fabergé Egg

April 30, 2024
by Amalia Spiliakou 19th century ArtArt NouveauTeaching Resources

Fabergé’s Lilies of the Valley Egg — pink enamel, pearl blossoms, hidden Romanov portraits — captures Imperial Russia’s breathtaking opulence and tender family devotion in one exquisite Art Nouveau masterpiece.

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Ethiopian Illuminated Gospel, Palm Sunday

Palm Sunday – Κυριακή των Βαΐων

April 27, 2024
by Amalia Spiliakou Medieval ArtTeaching Resources

A 14th-century Ethiopian illuminated Gospel — Byzantine tradition reborn in vibrant local colour — captures Palm Sunday’s solemn, warm beauty, surviving centuries as a testament to extraordinary faith.

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The Dolphin Frieze fresco from the Mycenaean Acropolis of Gla

The Dolphin Frieze from the Mycenaean Acropolis of Gla

April 23, 2024
by Amalia Spiliakou Ancient Greek ArtArchaeologyMycenaean ArtPrehistoric ArtTeaching Resources

The Dolphin Frieze reveals Mycenaean artistry at its most vibrant, its graceful marine forms capturing technical brilliance, naturalistic beauty, and the enduring Aegean fascination with the sea.

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‘Botticelli’ Workshop, Allegory of Calumny

The Allegory of Calumny

April 19, 2024
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Botticelli’s Allegory of Calumny — slander, deceit, and innocence locked in timeless battle — warns kings and commoners alike that false accusation’s destructive power transcends every age.

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The so-called ‘Rubens Vase’

The so-called ‘Rubens Vase’

April 14, 2024
by Amalia Spiliakou Byzantine ArtEarly Christian ArtTeaching Resources

Rubens’ beloved agate vase — Byzantine imperial treasure, Crusader spoil, collector’s obsession — embodies one extraordinary object’s remarkable journey through power, passion, and artistic devotion.

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Eros Punished, 1st century AD, Fresco, 126x162.3 cm, from the House of Punished Eros in Pompeii

Eros Punished

April 9, 2024
by Amalia Spiliakou ArchaeologyMythologyRoman Art

A Pompeiian fresco freezes divine family drama — tearful Eros led to a stern Aphrodite, while young Anteros watches — capturing love’s mischief, consequence, and beautifully reciprocal nature.

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Oskar Kokoschka's Triptych – Hades and Persephone, The Apocalypse, Prometheus

The Prometheus Triptych by Oskar Kokoschka

April 4, 2024
by Amalia Spiliakou 20th century ArtMythologyTeaching Resources

Kokoschka’s monumental Prometheus Triptych — myth, apocalypse, and regeneration blazing across three panels — confronts postwar humanity’s arrogance and existential crisis with extraordinary Expressionist urgency.

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Rosa Bonheur's painting of Le Taureau Gris

Rosa Bonheur’s painting Le Taureau Gris

March 31, 2024
by Amalia Spiliakou 19th century ArtFrench ArtTeaching Resources

Rosa Bonheur’s Le Taureau Gris commands the canvas with majestic realism — a pioneering woman artist capturing animal power, dignity, and vitality with extraordinary precision and empathy.

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The Bicentenary House, the fresco of Aphrodite and Aris, Herculaneum

The House of the Bicentenary in Herculaneum

March 27, 2024
by Amalia Spiliakou ArchaeologyMythologyRoman ArtTeaching Resources

Herculaneum’s House of the Bicentenary — mythological frescoes, opulent mosaics, and noble elegance frozen in time — survives Vesuvius and centuries of decay through extraordinary modern conservation efforts.

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Theodoros Vryzakis, The Maid of Athens

Maid of Athens

March 24, 2024
by Amalia Spiliakou 19th century ArtModern Greek ArtTeaching Resources

12:13 PM
Claude responded: Vryzakis immortalizes Byron’s dark-eyed Maid of Athens — where Romantic poetry, Greek beauty, philhellenic passion, and the struggle for independence beautiful…
Vryzakis immortalizes Byron’s dark-eyed Maid of Athens — where Romantic poetry, Greek beauty, philhellenic passion, and the struggle for independence beautifully, timelessly converge.

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