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All posts by : Amalia Spiliakou

The Monument of Episkopi on Sikinos Island, Greece

The Monument of Episkopi on Sikinos

September 16, 2023
by Amalia Spiliakou Byzantine ArtRoman ArtTeaching Resources

Discover Sikinos’ remarkable Episkopi Monument — a rare Roman mausoleum transformed into a Byzantine church, recently restored to reveal hidden inscriptions, ancient frescoes, and a sealed aristocratic burial of extraordinary significance.

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Agias, Son of Aknonios, Daochos Monument (detail), c. 336- 332 BC, Marble, Height: 2.09 m, Delphi Archaeological Museum, Greece

Agias Son of Aknonios

September 12, 2023
by Amalia Spiliakou Ancient Greek ArtTeaching Resources

Marvel at Agias of Delphi — a masterpiece from the Daochos Monument, possibly linked to sculptor Lysippos, immortalising a legendary Thessalian pankration champion with restless elegance and timeless athletic nobility.

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The Dance by Matisse at the Barnes Foundation

September 8, 2023
by Amalia Spiliakou 20th century ArtFrench ArtTeaching Resources

Explore Matisse’s monumental The Dance at the Barnes Foundation — a triumphant return to modernist boldness, where sweeping figures across pink and blue fields reignited a great master’s creative genius.

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The Latin inscription HAVE, translated as Welcome in English, salutes visitors to the largest and most luxurious residence in Pompeii, The House of the Faun, 2nd century BC to 79 AD, Pompeii, Italy

House of the Faun

September 3, 2023
by Amalia Spiliakou Roman ArtTeaching Resources

The House of the Faun in Pompeii, built around 180 BC, showcases Roman luxury with vast space, elegant architecture, and remarkable mosaics, including the famed Alexander Mosaic and welcoming “HAVE” inscription.

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Diminutive in size, the Hours of Jeanne d’Evreux was made between 1324 and 1328

The Hours of Jeanne d’Evreux Queen of France

August 30, 2023
by Amalia Spiliakou French ArtInternational Gothic ArtTeaching Resources

Created for Queen Jeanne d’Evreux, this tiny 14th-century Book of Hours dazzles with refined grisaille miniatures, lively marginal scenes, and intimate devotional imagery, reflecting the elegance and culture of medieval Paris.

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Sir Lawrence Alma-Tadema, A Coign of Vantage (detail), 1895 and The Sphinx at Villa San Michele, approximately 3200 years old, Red Granite, Villa San Michele, Anacapri

A Coign of Vantage by Sir Lawrence Alma-Tadema

August 25, 2023
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

A Coign of Vantage (1895) by Alma-Tadema captures elegant women on a marble terrace overlooking the sea, blending classical luxury, historical precision, and atmospheric Mediterranean light into a refined escapist vision.

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Three Roman enameled Glass Vases in the Collection of the Guimet Museum, Paris, France

Roman Enameled Glass

August 22, 2023
by Amalia Spiliakou Roman ArtTeaching Resources

Roman enameled glass, as discussed by Corning Museum of Glass, reveals a rare fusion of ancient glassmaking and vivid painted enamel, producing luxurious vessels where colour, light, and craftsmanship define Roman artistic refinement.

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At Fondation Louis Vuitton for the Basquiat x Warhol, À Quatre Mains Exhibition

Warhol by Basquiat Basquiat by Warhol

August 19, 2023
by Amalia Spiliakou 20th century ArtAmerican ArtTeaching Resources

At a 1982 meeting arranged by Bruno Bischofberger, Warhol photographed Basquiat, who soon returned a still-wet double portrait, sparking a prolific collaboration explored in the Basquiat × Warhol exhibition.

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Madre della Consolazione,15th century, tempera on wood, 0.563x0.45 m, Canellopoulos Museum, Athens, Greece

Madre della Consolazione

August 14, 2023
by Amalia Spiliakou Byzantine ArtTeaching Resources

Inspired by the decree of the Second Council of Nicaea, this refined 15th-century Madre della Consolazione icon blends Byzantine tradition with Italo-Cretan influences, expressing tenderness, devotion, and artistic elegance.

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Virgin and Child

August 8, 2023
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Inspired by Vittoria Colonna’s poetic devotion, this intimate Virgin and Child—attributed to Simon Bening—blends Flemish symbolism and tender realism, presenting Mary as a nurturing, humble source of spiritual and physical solace.

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