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All posts by : Amalia Spiliakou

Philip Wilson Steer, Jonquil, British Impressionist interior with flowers

Philip Wilson Steer’s Jonquil

March 4, 2026
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

March’s flower arrives quietly in Jonquil, where Philip Wilson Steer captures early spring’s tender renewal through soft light, stillness, and intimate contemplation.

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Collage titled ‘March 2026’ featuring artworks from different periods of art.

March 2026 Newsletter

February 18, 2026
by Amalia Spiliakou Newsletter

March invites renewed curiosity as art connects past and present. This month’s selections explore creativity, history, and seasonal change, guiding reflection through diverse narratives, craftsmanship, and meaningful artistic expression.

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Jean-François de Troy’s Apollo and Pan depicts the mythological musical contest between Apollo and Pan before Mount Tmolus, rendered in an elegant Arcadian landscape.

Jean-François de Troy and the Myth of Apollo and Pan

February 17, 2026
by Amalia Spiliakou 18th century ArtFrench ArtMythologyRococo ArtTeaching Resources

De Troy’s Apollo and Pan reimagines a mythological contest as an elegant Rococo scene, where harmony and refinement triumph over rustic instinct, exploring artistic judgment, hierarchy, and cultural values.

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Attic black-figure volute krater known as the François Vase showing multiple mythological scenes in horizontal friezes, by Kleitias and Ergotimos, c. 570–565 BC.

François Vase

February 13, 2026
by Amalia Spiliakou Ancient Greek ArtArchaeologyMythologyTeaching Resources

The François Vase is a masterful black-figure krater, uniting mythological scenes in intricate friezes, showcasing Archaic Greek storytelling, craftsmanship, and the collaborative brilliance of Kleitias and Ergotimos.

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Felice Casorati’s 1913 oil painting The Dream of the Pomegranate depicting a young woman asleep on a floral meadow holding a pomegranate, symbolizing an oneiric, poetic scene in the Palazzo Maffei, Verona.

The Dream of the Pomegranate

February 9, 2026
by Amalia Spiliakou 20th century ArtTeaching Resources

Casorati’s The Dream of the Pomegranate presents a sleeping figure in a flowered meadow, where stillness, symbolism, and dreamlike silence merge into a poetic meditation on interior life.

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Byzantine floor mosaic fragment showing a richly bejeweled female figure holding a Roman measuring tool identified as Ktisis, the personification of generous foundation, with a partially visible male figure holding a cornucopia at left; made of marble and glass, ca. 500–550, Metropolitan Museum of Art, New York.

Ktisis

February 6, 2026
by Amalia Spiliakou ArchaeologyByzantine ArtEarly Christian ArtTeaching Resources

This striking mosaic of Ktisis Mosaic reveals Late Antiquity’s vision of prosperity, where personification, symbolism, and ornament merge to express civic generosity, order, and enduring cultural identity.

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Madonna and Child by Antonio Badile: Mary in a blue mantle and red dress tenderly holds the Christ Child, shown half-length against an architectural background, in a gilded frame at Palazzo Maffei, Verona.

Antonio Badile’s Madonna and Child

February 3, 2026
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Badile’s Madonna and Child presents a tender, intimate devotional scene, where maternal affection, symbolic detail, and serene composition reflect Renaissance spirituality and private acts of contemplation and faith.

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A Japanese woodblock print of a blue and rust-colored kingfisher perched on a curved iris leaf, its long beak pointing downward. Tall blue irises and pink wild carnations grow against a pale beige background, with black calligraphy and red seals adding balance to the calm, natural scene.

Iris celebrated as the flower of February

January 31, 2026
by Amalia Spiliakou Japanese ArtTeaching Resources

Hokusai’s Kingfisher, Irises and Wild Pinks blends delicate nature, seasonal symbolism, and Edo printmaking, where an iris-centered composition reflects harmony, poetry, and refined Japanese artistic tradition.

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Collage titled ‘February 2026’ featuring artworks from different periods of art.

February 2026 Newsletter

January 30, 2026
by Amalia Spiliakou Newsletter

The February 2026 Newsletter invites readers to explore art across time, from snowdrops and Byzantine mosaics to Fayum portraits and Renaissance masterpieces, offering reflection, inspiration, and a creative beginning to the year.

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Raffaello Sanzio’s Madonna of the Goldfinch (before 1506) shows the Virgin Mary seated outdoors, gently holding a book as the Christ Child and young Saint John the Baptist interact with a goldfinch, set against a serene Renaissance landscape.

Madonna of the Goldfinch

January 26, 2026
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Vasari recounts Raphael gifting the Madonna of the Goldfinch to Lorenzo Nasi, portraying tender childhood interaction, serene grace, and harmonious beauty, blending personal friendship with spiritual symbolism and luminous naturalism.

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