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All posts by : Amalia Spiliakou

Villa Pisanella, 40-20 BC, Fragment of a Fresco wall decoration from the upper floor of the Villa, featuring a Woman on a black background presenting fruits, Boscoreale Antiquarium, Italy

Villa Pisanella in Boscoreale

June 25, 2022
by Amalia Spiliakou Roman ArtTeaching Resources

Villa Pisanella at Boscoreale, buried by Vesuvius in 79 AD, revealed a rich Roman farming estate and the famed Boscoreale Treasure of coins, jewelry, and exquisite silverware.

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Summer by Giuseppe Arcimboldo

June 20, 2022
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Vivaldi’s vivid Summer sonnet meets Giuseppe Arcimboldo’s allegorical portrait, where ripe fruits and vegetables form a lush, symbolic figure celebrating the season’s abundance and intensity.

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Portrait of Alexander Cassatt and Robert Cassatt

June 18, 2022
by Amalia Spiliakou 19th century ArtAmerican ArtImpressionismTeaching Resources

Mary Stevenson Cassatt’s 1884 double portrait of Alexander J. Cassatt and his son captures an intimate father-son bond, reflecting American artistic success within Paris’s vibrant cultural world.

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The commemorative Donatello, The Renaissance Exhibition Book

Donatello’s Pazzi Madonna

June 13, 2022
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Donatello’s Pazzi Madonna (c.1420) reveals tender intimacy between mother and child, exemplifying his innovative, humanized style and groundbreaking role in shaping Renaissance sculpture.

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The Bronze Quadriga of San Marco, scholars’ opinions still range between the 5th century BC and the 4th century AD, Bronze, 96.67% copper, bronze, and mercury gilding, Museo Marciano, Basilica di San Marco, Venice, Italy

The magnificent Bronze Quadriga in San Marco

June 10, 2022
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

Inspired by Brenda Riley-Seymore’s poem, the Horses of Saint Mark evoke timeless beauty—symbols of power, history, and imagination, echoing like celestial horses across art, memory, and myth.

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Flabellum, 565 – 578, silver and gilding, 30.9 x 24.77 x 1.91 cm, Dumbarton Oaks, Washington, DC, USA

Silver Flabellum in the Collection of the Dumbarton Oaks

June 4, 2022
by Amalia Spiliakou Byzantine ArtEarly Christian ArtTeaching Resources

A 6th-century silver flabellum (rhipidion), now at Dumbarton Oaks, exemplifies both liturgical function and artistic refinement, once used to honor the Eucharist and protect sacred elements.

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Simon Bening’s June

May 31, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Simon Bening’s June page from the Golf Book vividly depicts a chivalric tournament, where armored knights joust for honor, love, and glory amid a lively Flemish city backdrop.

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A Rare Opportunity to Study Van Gogh’s Irises, The J. Paul Getty Museum, CA, USA

Irises by Vincent van Gogh

May 26, 2022
by Amalia Spiliakou 19th century ArtPost-ImpressionismTeaching Resources

Irises by Vincent van Gogh captures vibrant movement and color, transforming simple garden flowers into a vivid, expressive study of nature, light, and emotion.

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 Triptych Leaf with St. Constantine (detail), mid-10th century, Ivory, 16.4x6.5 cm, Dumbarton Oaks, Washington, DC, USA

Triptych Leaf with St. Constantine

May 20, 2022
by Amalia Spiliakou Byzantine ArtTeaching Resources

Constantine the Great is honored through a 10th-century ivory triptych leaf from Dumbarton Oaks, portraying him as both imperial ruler and Christian saint, embodying enduring authority and faith.

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Gold Pendant with the representation of a Bee Goddess, On the upper torso she is depicted as a female with a Daedalic wig and arms bent at the elbows. The rest of the body resembles an insect, its large wings decorated with stippled rosettes, 7th century BC, Archaeological Museum of Eleutherna, Crete, Greece

The Bee Goddess of Eleutherna

May 17, 2022
by Amalia Spiliakou Ancient Greek ArtMinoan ArtTeaching Resources

Celebrating World Bee Day, the ancient Bee Goddess Pendant of Eleutherna reflects early Greek reverence for bees as vital pollinators and powerful symbols of life, nature, and divine femininity.

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