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All posts by : Amalia Spiliakou

Morning Glories by Suzuki Kiitsu, Japanese Edo period artist (1796–1858), six-panel folding screens with ink, color, and gold leaf on paper, The Met Museum, New York, USA

Morning Glories by Suzuki Kiitsu

September 30, 2025
by Amalia Spiliakou 19th century ArtJapanese ArtTeaching Resources

Suzuki Kiitsu’s Morning Glories screens embody Rinpa elegance, transforming seasonal blooms into rhythmic cascades of color and gold that blur nature and design into a timeless meditation on fleeting beauty.

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John George Brown’s Sunshine

September 26, 2025
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

John George Brown’s Sunshine bathes a Victorian figure in warm, fading light, transforming a fleeting seasonal moment into a lyrical meditation on leisure, nostalgia, and the quiet transience of summer’s glow.

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Head of Aphrodite of the Aspremont-Lynden/Arles type, 1st c. AD copy of an original 4th century BC work by Praxiteles, Marble, possibly Parian (Marathi), Height: 32 cm, National Archaeological Museum, Athens, Greece

Head of Aphrodite of the Aspremont-Lynden/Arles type 

September 22, 2025
by Amalia Spiliakou Ancient Greek ArtArchaeologyEarly Christian ArtRoman ArtTeaching Resources

The Head of Aphrodite of the Aspremont-Lynden/Arles type reflects Praxitelean ideals of serene, idealised femininity, later reinterpreted through Christian reuse and layered histories of adaptation, loss, and classical survival.

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Ancient Greek city of Hephaistia, late 5th to early 4th century BC, Lemnos Island, Greece

Hephaistia on the island of Lemnos

September 18, 2025
by Amalia Spiliakou Ancient Greek ArtArchaeologyTeaching Resources

Hephaistia on Lemnos preserves a layered ancient city where sanctuary, theatre, and domestic life intertwine, offering a tranquil archaeological landscape shaped by myth, civic identity, and centuries of continuous habitation.

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Isabella Brant

September 14, 2025
by Amalia Spiliakou Baroque ArtTeaching Resources

Rubens’s portraits of Isabella Brant combine Baroque vitality with intimate psychological presence, preserving her grace, status, and individuality through luminous brushwork that unites affection, realism, and refined portraiture.

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Terracotta kylix (drinking cup), Attributed to the Painter of Munich 2660, ca. 460 BC, Terracotta, Red Figure, 7x20 cm, the MET, NY, USA

Kylix with a School Boy

September 10, 2025
by Amalia Spiliakou Ancient Greek ArtArchaeologyTeaching Resources

The Kylix with a School Boy from early Classical Greece depicts a young student carrying his writing tablet, offering a timeless glimpse into ancient education, where learning, ritual, and youthful anticipation quietly shaped everyday life.

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Michelangelo’s Bacchus with Satyr

September 6, 2025
by Amalia Spiliakou Italian Renaissance ArtMythologyRenaissance ArtTeaching Resources

Michelangelo’s Bacchus transforms Horatian visions of Dionysian ecstasy into marble, depicting the god’s intoxicating instability, sensuality, and mythic ambiguity through a dynamic fusion of classical form and emotional excess.

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Marigolds

August 31, 2025
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

Dante Gabriel Rossetti’s Marigolds transforms a quiet domestic moment into a symbolic meditation on renewal, where simple floral arrangement becomes an intimate expression of resilience, beauty, and nature’s persistent return.

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Paul Cézanne’s lithograph Les Baigneurs

August 25, 2025
by Amalia Spiliakou 19th century ArtFrench ArtPost-ImpressionismTeaching Resources

Paul Cézanne’s Les Baigneurs lithograph dissolves figure and landscape into a unified geometry of form and color, where bodies and nature interlock in a structured yet ambiguous space that anticipates modernist abstraction.

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Gabriel Argy- Rousseau’s Poissons Dans Les Vagues

August 19, 2025
by Amalia Spiliakou 20th century ArtArt DecoFrench ArtTeaching Resources

Gabriel Argy-Rousseau’s Poissons Dans Les Vagues transforms pâte de verre into a luminous aquatic vision, where stylised fish and flowing waves merge into a suspended meditation on motion, fragility, and the poetic stillness of the sea.

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