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Diminutive in size, the Hours of Jeanne d’Evreux was made between 1324 and 1328

The Hours of Jeanne d’Evreux Queen of France

August 30, 2023
by Amalia Spiliakou French ArtInternational Gothic ArtTeaching Resources

Created for Queen Jeanne d’Evreux, this tiny 14th-century Book of Hours dazzles with refined grisaille miniatures, lively marginal scenes, and intimate devotional imagery, reflecting the elegance and culture of medieval Paris.

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Sir Lawrence Alma-Tadema, A Coign of Vantage (detail), 1895 and The Sphinx at Villa San Michele, approximately 3200 years old, Red Granite, Villa San Michele, Anacapri

A Coign of Vantage by Sir Lawrence Alma-Tadema

August 25, 2023
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

A Coign of Vantage (1895) by Alma-Tadema captures elegant women on a marble terrace overlooking the sea, blending classical luxury, historical precision, and atmospheric Mediterranean light into a refined escapist vision.

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Three Roman enameled Glass Vases in the Collection of the Guimet Museum, Paris, France

Roman Enameled Glass

August 22, 2023
by Amalia Spiliakou Roman ArtTeaching Resources

Roman enameled glass, as discussed by Corning Museum of Glass, reveals a rare fusion of ancient glassmaking and vivid painted enamel, producing luxurious vessels where colour, light, and craftsmanship define Roman artistic refinement.

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At Fondation Louis Vuitton for the Basquiat x Warhol, À Quatre Mains Exhibition

Warhol by Basquiat Basquiat by Warhol

August 19, 2023
by Amalia Spiliakou 20th century ArtAmerican ArtTeaching Resources

At a 1982 meeting arranged by Bruno Bischofberger, Warhol photographed Basquiat, who soon returned a still-wet double portrait, sparking a prolific collaboration explored in the Basquiat × Warhol exhibition.

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Madre della Consolazione,15th century, tempera on wood, 0.563x0.45 m, Canellopoulos Museum, Athens, Greece

Madre della Consolazione

August 14, 2023
by Amalia Spiliakou Byzantine ArtTeaching Resources

Inspired by the decree of the Second Council of Nicaea, this refined 15th-century Madre della Consolazione icon blends Byzantine tradition with Italo-Cretan influences, expressing tenderness, devotion, and artistic elegance.

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Virgin and Child

August 8, 2023
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Inspired by Vittoria Colonna’s poetic devotion, this intimate Virgin and Child—attributed to Simon Bening—blends Flemish symbolism and tender realism, presenting Mary as a nurturing, humble source of spiritual and physical solace.

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Michael Axelos, Greek Artist, 1877-1965, Swimmers at Palaio Faliro beach, 1935 and George Wesley Bellows, American Artist, 1882 – 1925, 42 Kids, 1907, Corcoran Gallery of Art, Washington, DC

Swimmers on a Wooden Pier

August 4, 2023
by Amalia Spiliakou 20th century ArtAmerican ArtModern Greek Art

Michael Axelos’s Swimmers at Palaio Faliro (1935) captures a sunlit, carefree Greek seaside, inviting comparison with Bellows’ Forty-Two Kids, where urban energy and raw vitality define a contrasting vision of youth.

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Les Meules à Giverny simply means The Stacks at Giverny

July 31, 2023
by Amalia Spiliakou 19th century ArtFrench ArtImpressionism

Claude Monet’s Les Meules à Giverny (1890–91) captures fleeting light and atmosphere through geometric compositions of haystacks, transforming a simple rural motif into a poetic meditation on time, color, and perception.

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Procession of Mycenaean Female Worshippers from Kadmeia Palace of Thebes, c. 1400 BC, Wall Painting, Archaeological Museum of Thebes, Greece

Mycenaean Procession of Female Worshippers

July 25, 2023
by Amalia Spiliakou Mycenaean ArtTeaching Resources

The Mycenaean Procession fresco from Thebes (c. 1400 BC) depicts life-size female worshippers in Minoan dress, revealing artistic innovation, ritual devotion, and the emergence of a Boeotian painting tradition.

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Bellini’s Portrait of a young man à l’Antique

July 21, 2023
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Giovanni Bellini’s Portrait of a Young Man à l’Antique (c. 1475–80) reflects Renaissance classicism and Mantegna’s influence, its enigmatic sitter—possibly Mantegna—adding intrigue to this refined and lifelike work.

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