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...a student interpretation of David's story!

David with the Head of Goliath by Andrea del Castagno

December 17, 2021
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Andrea del Castagno’s David with the Head of Goliath (c. 1450–55) presents a Florentine civic hero triumphing over evil, symbolizing republican strength, determination, and Renaissance ideals of virtù.

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Cassatt seated in a chair with an umbrella. Verso reads "The only photograph for which she ever posed. Courtesy of Durand-Ruel.", 1913

Five O’Clock Tea with Mary Stevenson Cassatt

December 14, 2021
by Amalia Spiliakou 19th century ArtAmerican ArtImpressionism

Mary Cassatt’s Five O’Clock Tea (1880) depicts an intimate Parisian domestic ritual, capturing refined bourgeois women at leisure in a modern interior, with subtle Impressionist attention to everyday life and atmosphere.

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Theseus and Antiope, sculpture from the West Pediment of the Temple of Apollo Daphnephorus in ancient Eretria, late 6th century, Marble, 110 cm, Archaeological Museum of Eretria, Greece

Theseus and Antiope

December 10, 2021
by Amalia Spiliakou Ancient Greek ArtMythologyTeaching Resources

The Theseus and Antiope pediment sculpture from Eretria (late 6th century BC) captures a pivotal Archaic moment of abduction, blending emerging naturalism with restrained emotional tension in early Greek monumental sculpture.

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Pissarro’s Basket of Pears

December 4, 2021
by Amalia Spiliakou 19th century ArtImpressionismTeaching Resources

Camille Pissarro’s Basket of Pears (1872, Pontoise) is a luminous Impressionist still life, evoking rural simplicity and the quiet abundance of fruit through subtle light, color, and balanced composition.

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The Labours of the Months: December

November 30, 2021
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Folgore da San Gimignano’s December sonnet, translated by Rossetti, introduces the “Labours of the Months” theme, linking medieval rural work, seasonal cycles, and moral reflection through vivid poetic imagery.

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Tiziano, The Myth of Danae, 1554

Titian in the Isabella Stewart Gardner Museum

November 26, 2021
by Amalia Spiliakou Italian Renaissance ArtMythologyRenaissance Art

Titian’s poesie for Philip II reimagined Ovidian myths as sensuous, emotionally charged paintings of gods and mortals, exploring love, desire, violence, and fate through innovative, poetic Renaissance compositions.

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The Turkeys by Claude Monet

November 24, 2021
by Amalia Spiliakou 19th century ArtImpressionismTeaching Resources

Claude Monet’s The Turkeys (1876) captures a radiant rural scene in which vibrant light, loose brushwork, and asymmetrical composition reflect the Impressionist search for immediacy and atmospheric vitality in everyday nature.

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First Steps by Georgios Iakovidis

November 16, 2021
by Amalia Spiliakou 19th century ArtModern Greek ArtTeaching Resources

Georgios Iakovidis’ First Steps (c. 1889) tenderly depicts a child learning to walk, using soft light and intimate composition to express familial love, care, and the universal theme of early childhood development.

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Relief with Five Dancers before a Portico (The Borghese Dancers), 2nd century AD, Marble, 74x186 cm, Musée du Louvre, Paris, France

The Borghese Dancers

November 13, 2021
by Amalia Spiliakou MythologyRoman ArtTeaching Resources

Homeric Hymn to Apollo evokes a divine Olympic dance of gods and Muses, echoed in the graceful Borghese Dancers and Poussin’s paintings, celebrating harmony, rhythm, and classical ideals of movement.

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Hanging Fragment with Bird and Basket, 4th century, Wool, linen; tapestry weave, H. 64 cm, W. 50 cm, the MET, NY, USA

Hanging Fragment with Bird and Basket

November 8, 2021
by Amalia Spiliakou Byzantine ArtEarly Christian ArtTeaching Resources

Late Antique textiles from Egypt and the Eastern Mediterranean, like the Met’s Hanging Fragment with Bird and Basket, reveal how luxury fabrics expressed abundance, status, and the cultural ideal of the “good life.”

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