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PRINCESS FRESCO - The idyllic life of the daughters of Pharaoh, circa 1343-1335, painted plaster, 40x165, Ashmolean Museum

Nofernoferuaton and Nofernoferure

February 13, 2021
by Amalia Spiliakou Ancient Egyptian ArtTeaching Resources

PRINCESS FRESCO - The idyllic life of the daughters of Pharaoh, circa 1343-1335, painted plaster, 40x165, Ashmolean Museumhttps://www.ashmolean.org/princess-fresco “With the move to Amarna the art becomes less exaggerated, but while it is often descri ...

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Jan van Eyck, before 1395-1441, Portrait of a Man (Self Portrait?), 1433

Teaching with Jan van Eyck

February 6, 2021
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Jan van Eyck, before 1395-1441Portrait of a Man (Self Portrait?), 1433, oil on wood, 25,5 x 19 cm, National Gallery, Londonhttps://www.wga.hu/frames-e.html?/html/e/eyck_van/jan/01page/13turban.html When the time comes for me to introduce my students t ...

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The Labours of the Months: February

January 31, 2021
by Amalia Spiliakou Renaissance ArtTeaching Resources

A young man kneels, cutting stakes with a hatchet — a rare, vivid 1580 Venetian miniature capturing February’s quiet rural labour, from the National Gallery’s charming Labours of the Months series.

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Constantino Brumidi

January 19, 2021
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

Constantino Brumidi — Greek-Italian immigrant, Vatican fresco master, and political exile — spent decades beautifying the U.S. Capitol, yet died in an unmarked grave, his genius long forgotten by America.

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Pilastri Acritani (piers from the 6th century Church of the Holy Martyr Polyeuktos in Constantinople) and the Tetrarchs (from Constantinople, c. 305, porphyry) on the South-West side of the Basilica of San Marco, in Venice

Pilastri Acritani and European 19th century Art

January 17, 2021
by Amalia Spiliakou 19th century ArtByzantine ArtTeaching Resources

Two ancient pillars looted from Constantinople in 1204, long misidentified as war trophies, inspired Turner and other 19th-century masters — Venice’s silent Byzantine witnesses hiding in plain sight.

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Nikolaos Gyzis, The Artist’s Psyche

The Artist’s Psyche

January 13, 2021
by Amalia Spiliakou Modern Greek ArtTeaching Resources

The Artist’s Psyche embodies the introspective, allegorical vision of Nikolaos Gyzis, where the fragile, winged Psyche becomes a symbol of the creative soul suspended between imagination, idealism, and inward struggle.

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Domenico Ghirlandaio, An Old Man and his Grandson (detail)

Teaching with Domenico Ghirlandaio

January 5, 2021
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Vasari called Ghirlandaio one of the greatest masters of his age — his tender Portrait of an Old Man and his Grandson still moves hearts across five centuries.

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Fresco painting of Venus in the Shell (detail), House of Venus in the Shell, Pompeii

House of Venus in the Shell

January 3, 2021
by Amalia Spiliakou MythologyRoman ArtTeaching Resources

Hidden along Pompeii’s main thoroughfare, the House of Venus in the Shell dazzles with vivid frescoes — Mars, dolphins, cherubs, and a goddess born from the sea.

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By an unknown Venetian artist… The Labours of the Months: January

The Labours of the Months: January

December 31, 2020
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Twelve tiny Venetian panels, vivid with ultramarine and vermilion, trace a year of rural labour — a rare, charming 16th-century celebration of seasons, work, and life’s quiet rhythm.

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Philip Rundell, Shield of Achilles

The Legendary Shield of Achilles

December 28, 2020
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

Homer’s Shield of Achilles — a microcosm of war, harvest, dance, and law — inspired Flaxman’s stunning 1821 silver-gilt masterpiece, proudly displayed at George IV’s coronation banquet.

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