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Donatello, 1386-1466, David, c. 1430

Teaching with Donatello

November 7, 2020
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtRoman Art

Donatello commanded his sculptures to speak — and they did. From Florence’s peasant Christ to Padua’s magnificent Gattamelata, his genius reshaped Renaissance sculpture for centuries to come.

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The Month of November, latest 1407, possibly by Maestro Venceslao, Fresco, Torre Aquila, Castello del Buonconsiglio in Trento, Italy

The Month of November

October 31, 2020
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Maestro Venceslao’s November fresco blazes with aristocrats hunting bear amid autumnal mountains, while Trento’s peasants quietly guard the gates — vivid, thunderous, and breathtakingly alive after six centuries.

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Thalia Flora-Karavia, 1871-1960, A Girl dressed in the traditional costume of Gida

Thalia Flora-Karavia

October 25, 2020
by Amalia Spiliakou 20th century ArtModern Greek ArtTeaching Resources

Pencils in hand, Thalia Flora-Karavia followed the Greek army through liberated Macedonia in 1912 — a woman defying every barrier to document war’s human face with extraordinary sensitivity.

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William Waterhouse, 1849-1917, Penelope and the Suitors

Louise Glück and William Waterhouse

October 23, 2020
by Amalia Spiliakou 20th century ArtMythologyTeaching Resources

Louise Glück’s Meadowlands reimagines Homer through Penelope’s voice, echoing Waterhouse’s painting—where a single thread captures fidelity, tension, and the timeless complexity of waiting, weaving, and desire.

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Giotto di Bondone, 1266/7 – 1337, Joachim meets Anna at the Golden Gate

Teaching with Giotto di Bondone

October 17, 2020
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

From Dante Alighieri to Pablo Picasso, Giotto di Bondone emerges as a transformative genius—surpassing Cimabue and redefining painting through lifelike vision and enduring influence.

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Lady of Auxerre and the Daughter of Eleutherna

Daughters of Eleutherna

October 10, 2020
by Amalia Spiliakou Ancient Greek ArtTeaching Resources

The “Daughters of Eleutherna,” as named by Nicholas Chr. Stampolidis, embody the Daedalic style’s striking frontality and stylization. Displayed at the Museum of Cycladic Art, they inspire inquiry-based learning through visual exploration and dialogue.

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Unidentified Byzantine Church in Constantinople of the Komnenia period, Vefa Kilise Camii of Istanbul since the 15th century

Unidentified Church in Constantinople known today as Vefa Kilise Camii

October 3, 2020
by Amalia Spiliakou Byzantine ArtTeaching Resources

The enigmatic Vefa Kilise Camii remains one of Constantinople’s least understood monuments—an 11th–12th century Komnenian structure, possibly linked to St. Theodore, yet still rich in unanswered questions and lost mosaics.

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The Month of October, latest 1407, possibly by Maestro Venceslao, Torre Aquila, Castello del Buonconsiglio in Trento, Italy

The Month of October

September 30, 2020
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

At Torre Aquila, Master Wenceslas captures October as a vibrant celebration of harvest, where labor, landscape, and lordly ambition blend into a joyful vision of prosperity.

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Victor Prouvé, Portrait of Emile Gallé

Émile Gallé

September 26, 2020
by Amalia Spiliakou 20th century ArtArt NouveauTeaching Resources

A childhood memory of wonder finds its echo in the artistry of Émile Gallé, whose nature-inspired glass—shaped by curiosity, science, and imagination—transforms fragile material into poetic brilliance.

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The Pala d’Oro (the altar retable of San Marco in Venice) (detail)

The Monastery of Pantokrator in Constantinople and the Pala d’Oro in Venice

September 19, 2020
by Amalia Spiliakou Byzantine ArtTeaching Resources

The luminous Pala d’Oro reflects Venice’s deep artistic ties with Constantinople, likely incorporating enamels from the Monastery of Pantokrator—a sacred imperial complex of devotion, charity, and dynastic memory.

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