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Andy Warhol’s Kiku Prints

October 31, 2025
by Amalia Spiliakou 20th century ArtAmerican ArtTeaching Resources

Chrysanthemums, the flower of November, bridge Matsuo Bashō’s haiku meditation on autumnal impermanence with Andy Warhol’s Kiku prints, where repetition and color transform a traditional Japanese symbol into a modern reflection on beauty, memory, and cultural continuity.

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The temporary exhibition "ARCHAEOLOGY BEHIND BATTLE LINES. In Thessaloniki during the turbulent years 1912-1922" took place during the celebrations for the centenary of the city's liberation and was incorporated into the A.M.Th. actions under the "Thessaloniki, Crossroads of cultures" programme of the Ministry of Culture, Thessaloniki Archaeological Museum, 24 November 2012 - 30 June 2014

Martial Reportage and Archaeological Revelation

October 25, 2025
by Amalia Spiliakou 20th century ArtArchaeologyTeaching Resources

Varges’s WWI Salonika photographs capture Allied operations intertwined with archaeological discoveries, revealing ancient Macedonian heritage emerging through wartime excavations and the documentation of Manius Salarius Sabinus’s inscribed marble plaque.

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Empress Ariadne (detail), around 500 AD, Ivory, Height: 36,5 cm,The Bargello Museum, Florence, Italy

Empress Ariadne

October 22, 2025
by Amalia Spiliakou Byzantine ArtEarly Christian ArtTeaching Resources

Luxury Byzantine ivory plaques, attributed to Empress Ariadne, reveal Constantinople’s fusion of imperial power and Christian symbolism, linking court ideology with exquisite artistry preserved today in Florence and Vienna collections.

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Etruscan Tomb of Hunting and Fishing, 520-510 BC,Necropoli dei Monterozzi, near Tarquinia, Lazio, Italy Photo Credit: Amalia Spiliakou, April 2025

Tomb of Hunting and Fishing

October 18, 2025
by Amalia Spiliakou ArchaeologyEtruscan ArtTeaching Resources

Etruscan Tomb of Hunting and Fishing, 520-510 BC,Necropoli dei Monterozzi, near Tarquinia, Lazio, Italy Photo Credit: Amalia Spiliakou, April 2025 The Etruscans, a powerful and enigmatic civilization of central Italy, played a vital role in shaping t ...

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Robert Spear Dunning’s Apples

October 15, 2025
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

Robert Spear Dunning’s Apples evokes the quiet fullness of harvest, where still-life beauty and literary echoes of Frost meet broader reflections on abundance, fragility, and global awareness of food scarcity.

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Guido Mazzoni’s Portrait of an Old Man

October 9, 2025
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Guido Mazzoni’s terracotta portrait of an elderly man confronts viewers with unidealised age and psychological realism, transforming clay into a profound Renaissance meditation on human dignity, mortality, and individual identity.

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Poliochne on Lemnos, one of the earliest European settlements (Early Bronze Age, c. 3200–2100 BCE), with its maze-like houses and public squares revealing the social organization and daily life of its inhabitants. – Photo Credit: Amalia Spiliakou, July 2025

Poliochne on Lemnos

October 3, 2025
by Amalia Spiliakou Ancient Greek ArtArchaeologyMycenaean Art

Poliochne on Lemnos reveals one of Europe’s earliest cities, where planned streets, communal spaces, and evolving Bronze Age architecture illuminate the rise of complex urban life in the Aegean.

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Morning Glories by Suzuki Kiitsu, Japanese Edo period artist (1796–1858), six-panel folding screens with ink, color, and gold leaf on paper, The Met Museum, New York, USA

Morning Glories by Suzuki Kiitsu

September 30, 2025
by Amalia Spiliakou 19th century ArtJapanese ArtTeaching Resources

Suzuki Kiitsu’s Morning Glories screens embody Rinpa elegance, transforming seasonal blooms into rhythmic cascades of color and gold that blur nature and design into a timeless meditation on fleeting beauty.

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John George Brown’s Sunshine

September 26, 2025
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

John George Brown’s Sunshine bathes a Victorian figure in warm, fading light, transforming a fleeting seasonal moment into a lyrical meditation on leisure, nostalgia, and the quiet transience of summer’s glow.

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Head of Aphrodite of the Aspremont-Lynden/Arles type, 1st c. AD copy of an original 4th century BC work by Praxiteles, Marble, possibly Parian (Marathi), Height: 32 cm, National Archaeological Museum, Athens, Greece

Head of Aphrodite of the Aspremont-Lynden/Arles type 

September 22, 2025
by Amalia Spiliakou Ancient Greek ArtArchaeologyEarly Christian Art

The Head of Aphrodite of the Aspremont-Lynden/Arles type reflects Praxitelean ideals of serene, idealised femininity, later reinterpreted through Christian reuse and layered histories of adaptation, loss, and classical survival.

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