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Posts in category: 19th century Art

Carolus-Duran The Letter and the Reveler 1889 oil painting showing exhausted man on sofa beside discarded bouquet and torn letter

Carolus-Duran’s The Letter and The Reveler

May 18, 2026
by Amalia Spiliakou 19th century ArtFrench ArtTeaching Resources

A letter lies torn open on the floor. Beside it, a bouquet, discarded, not placed. On the sofa above them, a young man has collapsed into the cushions, eyes closed, one arm surrendered to gravity. Something has happened in this room. Carolus-Duran’s The Letter (1889) offers two stories and refuses to choose between them.

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Portrait by John Singer Sargent of the three elegantly dressed Wyndham sisters posed indoors, one seated at center and two standing on either side—wearing white gowns against a soft, muted background.

The Portrait of the Wyndham Sisters by John Singer Sargent

May 9, 2026
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

Sargent’s Portrait of the Wyndham Sisters transforms portraiture into a dynamic composition, uniting elegance, movement, and individuality while capturing psychological nuance and the interplay between heritage, identity, and modern femininity.

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A delicate still life by Johan Laurentz Jensen showing pale hawthorn blossoms on a dark background, highlighting their fine detail and soft light.

Still Life with Hawthorn Blossom

April 30, 2026
by Amalia Spiliakou 19th century ArtTeaching Resources

In the quiet refinement of 19th-century Danish painting, Jensen’s Still Life with Hawthorn Blossom celebrates May’s fleeting beauty — where delicate hawthorn blossoms become symbols of renewal, transience, and enduring meaning.

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Winslow Homer, A Mountain Climber Resting, 1869 – a lone hiker reclines on a rocky mountain ledge, smoking a pipe and gazing across a wide valley landscape below.

A Mountain Climber Resting

April 23, 2026
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

Winslow Homer’s A Mountain Climber Resting captures a quiet summit pause, reflecting rising leisure travel, shifting views of nature, and the enduring ideal of solitary exploration in nineteenth-century America.

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Allegorical figure of Greece in classical dress with outstretched arms above a crowd of Greek independence fighters, symbolizing national defense and unity.

The Defense of the Homeland above All Else

March 23, 2026
by Amalia Spiliakou 19th century ArtModern Greek ArtTeaching Resources

Vryzakis’s 1858 painting unites heroes of the Greek Revolution in an allegorical tribute, where personified Greece honors their collective sacrifice, transforming history into memory, identity, and national gratitude.

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Philip Wilson Steer, Jonquil, British Impressionist interior with flowers

Philip Wilson Steer’s Jonquil

March 4, 2026
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

March’s flower arrives quietly in Jonquil, where Philip Wilson Steer captures early spring’s tender renewal through soft light, stillness, and intimate contemplation.

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Impressionist oil painting of Venice by Childe Hassam, showing sunlit canal buildings reflected in water.

View of Venice

January 22, 2026
by Amalia Spiliakou 19th century ArtAmerican ArtImpressionismTeaching Resources

In View of Venice, Childe Hassam captures Venice’s shimmering light and movement, marking the formative moment his evolving style embraced vibrant color and modern Impressionist vision.

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A silver‑plated and ivory tea pot in the shape of a stylized hare by French artist Émile Auguste Reiber (c.1882), with the animal’s body forming the vessel, 12.8 cm high and 24.8 cm long, from the Musée d’Orsay collection in Paris.

The Musée d’Orsay’s remarkable Hare-shaped Teapot

January 16, 2026
by Amalia Spiliakou 19th century ArtFrench ArtTeaching Resources

The Musée d’Orsay’s hare-shaped teapot by Émile Reiber transforms function into sculpture, reflecting Japonism’s playful naturalism and cross-cultural exchange that reshaped European decorative arts in the late nineteenth century vividly.

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Color lithograph trade card depicting a white snowdrop flower (Galanthus nivalis) with green leaves, from the Flowers series for Old Judge Cigarettes, published by Goodwin & Company in 1890.

The Snowdrop (Galanthus nivalis)

January 1, 2026
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

The snowdrop, Galanthus nivalis, heralds January with quiet resilience, symbolizing hope and renewal, while the Old Judge cards transform this delicate bloom into art, blending nature, culture, and everyday life.

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Bridges of Light

November 17, 2025
by Amalia Spiliakou 19th century ArtAmerican ArtJapanese ArtTeaching Resources

James McNeill Whistler’s Nocturne in Blue and Gold and Hiroshige’s Kyōbashi Bridge transform urban bridges into poetic thresholds, using light, water, and atmosphere to evoke stillness, reflection, and the quiet beauty of modern life.

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Recent Posts

  • June 2026 Newsletter
  • Marble Portrait of Constantine the Great
  • Carolus-Duran’s The Letter and The Reveler
  • Temple A at Prinias
  • The Portrait of the Wyndham Sisters by John Singer Sargent

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