Hercules and the Lion of Nemea

by with No Comment ByzantiumPowerpointsStudent Activities

The 6th to 7th century Constantinopolitan Silversmiths were great masters of their craft. Inspired by Greek Mythology, and stories of the Old or the New Testament, they created unique artworks equally important to their monumental counterparts. The 6th-century silver Plate in the Bibliothèque Nationale de France depicting Hercules and the Lion of Nemea beautifully exemplifies their fine workmanship.

The contest between Hercules and the fierce beast takes a central position, within a typical landscape of the time, simple, yet full of “antique” landscape motives. A bending tree to the right complements the shape of the silver plate, while to the left, a pedestal supporting a vase, balances the composition, adding stability.

Hercules, nude, massive and muscular with a thick neck, a heavy jaw, large eyes and curly hair, is depicted grasping the Lion by the neck, his hands disappearing into the beast’s luxurious mane. He is the undoubted winner of this fierce fight. The Lion is equally massive but succumbs to Hercules’s power. His foreleg, limp and weak, rest on the hero’s thigh, his grimacing face, a picture of exhaustion.

The unknown artist of this silver plate of Hercules and the Lion of Nemea illustrates a well-liked mythological story, popular during antiquity and the Byzantine period that followed. The plate was found in Italy in the Massa-Carrara area of Tuscany in 1771. It is dated ca. 500-600 AD. It was acquired by the Bibliothèque Nationale de France in 1890 and is part of its Département des Monnaies, Médailles et Antiques. The Plate was part of the spectacular “Ancient Luxury and the Roman Silver Treasure from Berthouville” Getty Villa Exhibition of 2014-15.

Bibliography: http://medaillesetantiques.bnf.fr/ws/catalogue/app/collection/record/ark:/12148/c33gbq9kr and https://www.metmuseum.org/art/metpublications/Age_of_Spirituality_Late_Antique_and_Early_Christian_Art_Third_to_Seventh_Century?fbclid=IwAR2T7bRUIaYH1cUyXgg-0KuAchuDZdxoNABmimn3TAQDhrC1x3V5Ys8Jcnk …pages 162-163

For a PowerPoint the Hercules and the Lion of Nemea, please… click HERE!

Student Activities on the Silver Plate of Hercules and the Lion of Nemea are… HERE!

The Jasper Cup from Vatopedi

by with No Comment ArtByzantiumPowerpointsWorksheets

The Jasper Cup from Vatopedi is one of the most famous Late Byzantine works of art. It is a Chalice of silver-work and stone-carving, a rare example of refined craftsmanship, one of the finest pieces of the Palaeologan period. It belonged to Manuel Cantacuzenos Palaeologos (1349-80), Despot of Mystra, son of Emperor John VI Cantacuzenos (1347-54) and grandson of Theodore Palaeologus, Despot of Mystra.

The Cup, carved out of a piece of jasper, was created in a Byzantine workshop, in the shape of an antique broad-lipped wine-cup. The inscription on its rim reads “and he gave it to his disciples and apostles saying, drink of this, all of you …”. As this is the prayer from the Eucharist, as given in the Liturgy of St Basil, the Vatopedi Chalice was used as an ecclesiastical vessel.

The base is octagonal, its eight sections decorated with medallions containing, alternately, cruciform monograms and half-length hierarchs holding open scrolls. The monograms identify the owner of the vessel: M (Manuel), Δ (Despot), Κ (Cantacuzenos), Π (Palaeologus). For a more detailed presentation of the Chalice, please check: https://www.elpenor.org/athos/en/e218ci14.asp

The metalwork decoration, following byzantine models, intriguing techniques, and borrowed Gothic motifs, proves that a “Byzantine-Gothic” marriage of styles can create exquisite results.

For a PowerPoint on Byzantine Chalices, please… Check HERE!

For the Student Activity, I was inspired by Sarah Stone’s Work on “Byzantine Chalices”. I showed the students her work http://www.sarah-stone.net/byzantine-paintings.html and HERE! is what my Grade 4 students created!!!

Byzantine Chalices, inspired by The Jasper Cup of Vatopedi and Sarah Stone’s Byzantine Paintings

The Art of Portraiture during the Byzantine Period

by with No Comment ArtByzantiumStudent Activities

The Art of Portraiture during the Byzantine Period is an interesting topic to explore! Portraits have been a popular subject among artists and patrons throughout the ages. From ancient Egyptian renderings on Tomb walls at Saqqara, in Egypt, to Rembrandt’s Self-Portraits and the abstracted works of Pablo Picasso, artists have depicted all kinds of portraits and in a wide variety of ways.

For Byzantine Art, the representation of the human face is important, yet very specific rules need to be followed, so as to depict it correctly. Byzantine Portraits embody a spiritual presence and the eyes play the role of the protagonist! Thus, eyes are affectionately called … the windows of the soul!

“The Art of Portraiture during the Byzantine Period” is an Activity I use in my Grade 7 Art History Class on Byzantium. Students enjoy comparing the three different portraits, discussing similarities and differences and thus, drawing conclusions.

Living in Thessaloniki, Greece, a city with 15 Byzantine UNESCO Monuments of Cultural Heritage, exploring the Art of the Byzantine Period is imperative!!!

https://whc.unesco.org/en/list/456

Student Activity

This is a Project that requires four parts: 1. A nicely written title 2.      Colored copies of the three Byzantine Portraits, correctly identified 3. Answers to assigned Questions 4. An Art Project

For more on “The Art of Portraiture during the Byzantine Period” Activity… Click HERE!